It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things. Our downhearted moments provide architecture and art with their best openings, for it is at such times that our hunger for ideal qualities will be at its height. It is not those creatures with well-organised, uncluttered minds who will be most moved by the sight of a clean and empty room in which sunlight washes over a generous expanse of concrete and wood …

- a striking and (who knows?) possibly specious notion in Alain de Botton’s The Architecture of Happiness

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